towards infinity "
Painting informal Mariella Martinelli
The works exhibited at Palazzo Mariella Martinelli Strobele to belong to the Borgo Valsugana informal period the artist and have been painted in the years 2006-07. They are so recent work. What we mean by informal? As always, the essential question hides the naive claim to arrive at the solution of a mystery that, in cultural labyrinths, has not and can not be a culprit. Information, such as art in general, we are not able to say what it is, but to point out that there is. This is the starting point of each study. Groped to ascend to a definition of the scope of the survey dealt with, knowing that it lies only a relative role in the metabolism of the vast cultural machine, ready to disavow any acquisition as new coordinates establish historical-critical live and new climates.
Information is therefore a present reality in artistic way, but never codified. The artist is forced to do without the eye because its object is no longer at a distance. The report
-form information can be interpreted as a dialogue between closed forms and open forms. If the line is a sign of a limit, the absence of expression of the lines you find your limit and a formal vertigo.
Wölffin writes: "As soon as the line, as a sign of a limit, is devalued, the possibilities begin painting. It seems then that, in every corner, suddenly awake a mysterious life. While the demarcation net which gives the shape of a crystallisation adamant, so to speak, the images, the pictorial representation of its very nature gives the image a fluctuating nature: the shape begins to be fickle lights and shadows become a factor in itself , they look and blend from one peak to another, from one fund to another, all together create the illusion of endless motion and without end. " And all this is well suited to the work of Martinelli. In paintings like
To Infinity and The search for the item is abandoned all figurative painting, a triumph of form and color tell exempted from any mimetic function, the representation becomes the artist's inner state. The colors are limited and do not take an infinite number of shapes and colors. In
Bridge and Old memories is taking place against a contrast between light and dark masses masses that generate a voltage, a polarity that seems to be resolved. In
fluctuation are the origin of life. Animals that are being born and strange fish that migrate upstream. The wind moves the colors and everything is mixed. We return to the informal. It 'was just a dream.
artist is interested in representing the spiritual in art, so to have a contact with the soul of the viewer, who must leave the framework act on him.
Gianpaolo Armani
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